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Trees are pretty, give shade, lessen the need for air-conditioning, but golly gee, take up as much as a square foot of ground space. Stu Ballz 15th November Dosnt make me feel real manly but make it real easy to trace and find. Hyndsie 15th November Flouro green and even sometimes orange. I don't see the need for a cock feather so I use three of the same. I find this set up much easier to follow the shot into a dirty or muddy boar, or even a hairy old billy. I've never found them to be a problem of the animals spotting them. Also, using three of the same colour helps when you buy in bulk. Ian Turner 16th November Cheers andy 16th November What did Smith say that convinced you that the timing and his film were right?
And did he personally request a more vintage-sounding work? Kevin had a clear vision of how the score should sound. As a matter of fact, a majority of the temp score for this film contained cues from my previous work. It took me a bit of time to get that temp score out of my head. At the beginning, when I started scoring, I never again listened to the temp score. But Kevin was a great support and turned out to be my biggest fan—I was even blushing sometimes about his announcements. What a great guy! And if so, how did you update the music to fit the city and its sensibility for a new decade? Oh yeah, definitely…the urban feel of Brooklyn needs another chapter, another layer, of edge in music compared to L.
What do you learn from Giorgio Moroder working with him at the start of your career? And aside from being damn good, what about the Beatles, populist in their own right, made them one of your primary influences?